Conceived for projection in a specially designed chamber, the work exploits several perceptual strategies aimed at providing an immersive audience experience. The particular angle and distance of the projection walls envelops the viewer and gives rise to a stereo image – two separate streams of visual information that are channelled discretely (to a degree) through each eye and are then re-combined in the brain. The large mirror covering the entire back wall further augments audience participation by reflecting at once the viewers and the 2 screens, thus placing the viewers inside the screened images and making them, effectively, part of the artwork. Four channels of surround audio are delivered by speakers concealed in the chamber’s walls, conveying spatial cues that draw the audio-viewers in the midst of the action, transporting them from the claustrophobic setting of the protagonist’s suburban dwelling to the limitless space, as the action takes to the open sky.